
Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit by Stephen Powell I had a conversation recently with a guy who described himself as a “glitch-dubstep-lo-fi composer” He went on to describe a couple of his tracks which turned out to be pretty much what you might expect from such a descrip
Read →Written On Record Store Day by Devious Soul There was a time when the happiest days of many a DJs life was getting home with a fresh stack of unopened wax. Carefully selecting the tunes in the record shop, ensuring you had enough cash for the double pack, wondering what treasures were lurking under
Read →Creative EQ Tips by Katie Gilchrest Generally, engineers use equalization (EQ) in one of two ways: corrective or creative. If there is a problem in the recording, perhaps a dull sounding room or sample, it is acceptable to use EQ to brighten up the sound. Sometimes poor mic placement or room modes i
Read →Music technology training in London, taught by people making records at a high level themselves - from DAW beginners to mixing and sound design.
Read →A Kontakt instrument built from struck and bowed metal - ethereal textures and tonal percussion, with a Forge morph knob for blending presets.
Read →Now Ableton has made the big announcement, we can finally give you a first look! As New York City is our newest location, Garnish New York Ableton Live instructor Michael Hatsis (aka Bangingclude) goes through some of the new features in the new Ableton Live 10! Firstly he delves into the new Waveta
Read →